I Can Speak
Oh Mal-Soon (Nah Moon-hee) is a 74-year-old widow that realizes she is becoming a burden on her family. As she is roaming the streets, she comes across a photo studio and decides to dress up for a self- portrait. When she walks out of the photo studio, she mysteriously turns back into her twenty year old self. Making the most out of this one in a lifetime opportunity, she changes her name to Oh Doo-Ri (Sim Eun-kyeong) and decides to make the most out of her youth.
Man-sik and Yeon-hee, are unsure as to whether they can overcome past wounds and continue being a couple. Dr. Kim, who cautions against a possible mega-tsunami at Haeundae, collapses in agony springing from an unexpected turn-up of his daughter and divorced wife. Hyoung-sik, after rescuing a woman from Seoul, rides out a ferocious storm to gladden her heart. A tsunami which destroys Haeundae symbolizes the establishment of a typical axis called provocation of conflicts, and later the inner spaces of the couples without anything left behind after all conflicts have ended
Jobless, besieged by creditors, and abandoned by his wife, the once silver medalist Tae-shik has sunk to street hustling, becoming a human punching bag. Meanwhile, young Sang-hwan's delinquent ways land him behind bars. Both men look to boxing to turn around lives gone astray, aiming for the amateur title, ultimately pitting them against each other, but more importantly, against themselves.